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Vol.
10, No. 1
Spring 2003
This
newsletter made possible, in part, by a grant from
Jewish Heritage Foundation
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To
champion the arts for children with disabilities and
advocate access to the arts.
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CAUTION:
THIS NEWSLETTER CONTAINS
CUTTING-EDGE TECHNIQUES AND
NEW FEATURES THAT MAY CAUSE
ACCELERATED LEARNING AND
ENERGETIC PARTICIPATION!
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Accessible Arts has expanded and improved its newsletter with the goal
of providing nuts and bolts, how-to techniques,
expert tips and specific information that can be used by people working
with children with disabilities in the arts.
In this issue youll find two art lesson plans, tips on engaging
youth in arts activities, valuable resources and an entire page of OPPORTUNITIES
on page three. Opportunities include arts activities for children with
and without disabilities, professional development training for educators
and artists, and Accessible Arts programs that can come to you!
Please give us your feedback. What information is useful? What are YOUR
NEEDS? We promise to do our best to honor your requests and meet your
needs.
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Join
Us For a
Journey to Middle Earth:
The Lord of the Rings
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The Heart of America Wind Symphony will present a concert with Accessible
Arts at 7:00 PM, Sunday, April 13th in Yardley Hall at Johnson County
Community College. The concert is entitled Journey to Middle Earth:
The Lord of the Rings and will feature Johan de Meijs Symphony
#1 - The Lord of the Rings which was inspired by J.R.R. Tolkiens
popular trilogy. The evening will also include dance performances
by Reach
a movement collective inc. and the City in Motions
Childrens Dance Theater, mime performances by JJ and Juliana
Jones and visual art displays by artists with disabilities. Tickets
may be purchased for $5 (students, seniors) and $10 (adults) by
calling the Carlsen Center box office at (913) 469-4445. Tickets
may also be purchased at the door with cash, check or credit card.
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The Heart of America Wind Symphony (HAWS) was formed to present quality
wind instrument concerts and to raise awareness and funds for charitable
agencies and service organizations. Accessible Arts champions the
arts for children with disabilities and advocates access to the arts.
This event is the third collaboration between HAWS and Accessible
Arts. Both organizations are committed to creating a performance that
integrates many different arts, artists and abilities. |
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Rathbun,
Garza and Ryan performed with the symphony during one of the segments.
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The four talented members of Reach
a movement collective inc.,
Elysse Power, Terri Rathbun, Maria Ana Garza and Suzanne Ryan, will
perform an interpretive movement piece to a narrative selection
from Tolkiens books. City in Motions Childrens
Dance Theater will perform a dance accompanied by the Symphony.
Visual artists with disabilities will display their works of art
in the lobby. John Tait, tackle for the Kansas City Chiefs, will
attend and make a special presentation. He will also have several
of his own paintings on display. Its also rumored there will
be visitors from Middle Earth.
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Martin English, Accessible Arts Executive Director said, This
performance will have something for everyone: children, adults, music
and dance lovers, Tolkien fans and artists. Its also an opportunity
for us to educate the public about the world of arts and disabilities.
The performance will be held in Yardley Hall at Johnson County Community
College and is made possible in part by the JCCC Community Arts Partner
program. Yardley Hall is located in the Carlsen Center, 12345 College
Blvd., Overland Park, KS 66210. For tickets, call (913) 469-4445.
For information about Accessible Arts, call (913) 281-1133 or visit
www.accessiblearts.org |
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Accessible
Arts Wish List
As
a non-profit organization, we are always looking for donations which help
us meet our large commitment to champion the arts for children with disabilities.
Our Wish List is one way to engage the community. Are you a
business or individual who has items you no longer use? Perhaps you know
someone who does. Below are suggestions that may give you some ideas of
how you can help. Of course, financial donations are also welcome.
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Arts
Supplies & Other Items
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Volunteers
Needed To Help With:
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Model magic
clay (by Crayola)
Clay tools
Poster board
Left-handed childrens scissors
Colored tissue paper
Construction paper
Feathers - various sizes and colors
Sticky Wick
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Unusual beads
and buttons
Percussion Instruments
(all types & sizes)
Childrens costumes, hats, masks
1" white 3-ring binders (w/plastic insert front/spine)
Hat Rack/Clothes Tree
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Bulk mailings
General filing
Copying / folding brochures
Photo album maintenance
Arts Programming
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Opportunities
For Children, Educators & Artists!
For
information on any opportunity listed below, call (913) 281-1133 or visit www.accessiblearts.org
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99
Drums Music & Cultural Camp is a weekend of hands-on music and
dance workshops exploring the arts, history, customs and food of
West African, Native American, Mexican and Caribbean cultures. Children
ages 7-16 are invited to attend this camp from 4:00 PM, Friday,
April 25th to 5:30 PM, Sunday, April 27th. 99 Drums will be held
on the campus of the Kansas State School for the Blind, Kansas City,
Kansas. The cost is $35 per child if registered before April 17th
($50 after). The fee includes all the workshops, six meals, and
two overnight stays. Adult volunteers are also needed for this event.
The
Art of Learning professional development training is designed
to give artists the tools to work in schools and schools the tools
to work with artists. Interactive workshops improve effective
collaboration, enhance capacity for teaching and learning creatively
and expand resourcefulness in providing arts opportunities for
all students (including children with disabilities and at-risk
youth).
Educators,
artists, and youth program providers may choose to attend the
training at the Hilton Garden Inn in Kansas City, Kansas, June
25-27 or the training at Salina Holidome in Salina, Kansas, July
16-18. The cost is only $75 per person (teams of 2 or more are
$50 per person). Graduate credit is available from Baker University
for the Art of Learning Workshops.
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Rhythm Weavin
Threads of Diversity
Rhythm
Weavin will bring your schools Character Education
goals to the students in a fun and energetic way. Diversity and
disability themes come alive as Bongo Barry and Cowbell Martin
engage your 6th-8th grade students in this interactive rhythm,
music and movement workshop. This program is available October
20 - December 20 and costs $300. The program is 1.5 hours in length
and can accomodate 100 students.
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too |
Participate
too! is an interactive conference utilizing creativity, skills and
ideas from artists, arts organizers, educators, volunteers, board
members and everyone who believes in the power of the arts in Kansas
communities. Possible dates are November 14-15 or 21-22 in Topeka,
Kansas. Times and cost TBA.
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Clever
dialogue and delightful songs are only a part of this fast-paced
musical play about the hero in each of us. Throughout the play,
characters of different abilities discover that each of them has
a unique voice and skills.
Following
each performance, artists will conduct interactive workshops featuring
themes from the play. Designed for 3rd-8th grade students, this
tour is available in April, 2004. A fee of $625 includes the performance
and three workshops. The maximum audience size is 350. Dates are
limited so call today!
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T
I P S
&
T
O P S
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This
column (helpful tips and top-notch topics) is for and by teachers, caregivers,
etc. who champion the arts for children with disabilities.
We invite your contributions for future inclusion.
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Exploration
& Discovery
by Kit
Bardwell
It
is a common practice to show students an example of a visual art project
and then instruct them on how to replicate it. With this approach there
is often the assumption that the child is familiar with the medium,
or materials to be used. Creativity is also limited to recreating the
finished product modeled by the teacher. Educators and professionals
who work with children of all abilities should consider providing a
number of structured experiences that will allow the children to explore
and discover the possibilities, as well as the limitations, of the material.
Experiences such as these are referred to as open-ended
art projects and can often produce spectacular and aesthetic results.
Finger
Painting with Shaving Cream
You
will need: shaving cream, tempera paint primary colors (red,
yellow and blue), and finger painting paper.
Shaving cream adds a very desirable tactile experience to finger painting.
Place two or more small mounds of shaving cream on a piece of slick
finger painting paper. Pour a small amount of primary color tempera
paint on each mound. The students are then free to experiment with the
tactile sensation of the shaving cream and paint.
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As
the students do this, there is the potential for them to create dramatic
blends of secondary colors through the mixing of the
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primary
colors.
This
exploration has worked well with students who have low vision or areblind
and has also been highly successful with |
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individuals
who have developmental disabilities. When dry, the finished painting
has three-dimensional depth created by the shaving cream.
Printing
with Found Objects
You will need: a large piece
of paper (white or colored) for each student, a tray containing a variety
of objects (paperclips, keys, key rings, cups, leaves, etc.objects
do not necessarily have to be flat), a variety of colored tempera paints
in shallow pans, pieces of scrap paper, paint brushes and water for
cleaning the brushes, large bowl of water and paper towels.
Students
place objects into the pans of paint to coat them and then lay them on
the big piece of paper. Or they can coat the object with paint by placing
the object on the piece of scrap paper and painting the object with a
paintbrush. Encourage them to explore rolling or dragging the object as
it places paint on the paper. After each printing the object can be wiped
off with a paper towel or placed into a large bowl of water to be dried
off by the next person to use it. Students can also paint their hands
to include handprints in their design.
This exploration uses the
fine motor skill of using the fingers to pick up and place objects.
For children who have difficulty closing their hands on small objects,
take a short dowel or pencil and create a comfortable handgrip by adding
Model Magic around the grip area. Next, place a small piece of
modeling clay or Silly Putty on the end of the pencil. The modeling
clay will stick to the objects and permit them to be lifted in and out
of the paint.
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Arts
& Disabilities Awardees Honored by
Kansas State Board of Education & Accessible Arts
by Beverly Johnson
Since
1984, Accessible Arts and the Kansas State Board of Education have been
recognizing the valuable work of Kansans who include children with disabilities
in art experiences. The Accessible Arts Awards Committee, chaired this
year
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(left to right)
Kansas State Board of Education Chairperson Janet Waugh, Distinguished
Service Award Winners Dr. Dee Hansen and Connie Burket.
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Board Vice President Vickie Tucker (Wyandotte Special Education Co-op),
is responsible for selecting the recipient of the Distinguished Service
Award. Honorees for Educator of the Year are nominated by their peers across
the state. At the March 12th Awards Ceremony, representatives from Accessible
Arts and the Kansas State Board of Education recognized this years
honorees. |
Dr.
Dee Hansen, Associate Professor of Music Education, Baker University in
Baldwin City, Kansas, and Connie Burket, Director of Kansas Alliance for
Arts Education, Salina, Kansas, were selected to receive the award for Distinguished
Service in Arts and Disabilities. Barbara Adams, Art Teacher, Kansas School
for the Deaf (KSD), Olathe, Kansas, was selected to receive the award for
Kansas Educator of the Year in Arts and Disabilities.
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Hansen
and Burket worked tirelessly to develop and achieve State Board of Education
approval for establishing a minimum state standard of one credit hour in
Fine Arts for high school graduation. They are also major collaborators
and presenters with Accessible Arts for The Art of Learning, a series of
workshops that bring together artists and educators to work toward more
arts programming in Kansas schools and communities. Both have been strong
advocates for inclusive learning in arts education and programming. They
put sparkle into everything they do. |
Dr.
Hansen was, until recently, the Fine Arts Consultant for the Kansas State
Department of Education. In addition to teaching classes at Baker University,
she continues to provide statewide and national in-services and publish
articles and books that address links between reading and arts literacy,
assessments, learning styles, and brain research. Hansen is currently co-writing
a book for the National Association of Music Education, entitled The Music
and Literacy Connection, that demonstrates parallel learning processes for
reading and music. Hansen is currently chair of the Kansas Citizens for
the Arts, a statewide grass-roots arts advocacy organization. She has a
Doctor of Musical Arts from the University of Missouri-Kansas City, a Bachelor
in Music Education, and Masters in Music History from SMU. |
Connie
Burket works in partnership with arts and education organizations to provide
a broad range of services that help schools, communities, artists, and teachers
across Kansas build and strengthen their arts education programs. Burket
was previously Arts Education Program Director for Salina Arts and Humanities
Commission and has served on boards and committees for numerous arts organizations.
She has exhibited her fabric art, been a dance instructor, juried shows,
written a curriculum for pre-school art classes, and contributed layout
and design for many of her affiliations. Her post secondary education was
at Central Missouri State College with majors in English and Art.
Adams has developed a K-12 art curriculum for KSD that is aligned with state
and national visual art education standards. Recently, she participated
in the Cows on ParadeKansas City. Her design, Deaf
AwarenessVisual COWmunications, displays the manual alphabet
in American Sign Language. It was initially on display at Union Station
and is now on display at the school. |
Accessible
Arts and Kansas State Board of Education honored Barbara Adams as their
Educator of the Year in Arts & Disabilities. Adams has dedicated 32
years to the Kansas School for the Deaf, where she has taught art classes
from kindergarten through high school. During that time |
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has consistently encouraged her students to enter art competitions at all
levels, resulting in numerous awards for her students art. |
In
her nomination of Adams, KSD Elementary/Middle School Head Teacher Joan
Macy said Her unceasing dedication to the field of art education for
students who are deaf/hard of hearing and support of deaf culture is incredible.
She continually seeks new ways for students to express themselves artistically.
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Valuable
Resource Materials
Viewers
are encouraged to
let us know of other exceptional materials we might
consider adding to our collection
| Accessible
Arts recommends the following books for educators and/or artists who work
with children who have disabilities. All materials are available on loan
from the Accessible Arts Resource Center. Please contact us for additional
information. |
Edwards,
E.M., Music Education for the Deaf. The Merriam-Eddy Co., South
Waterford, ME, 1974, Bar Code: 30002402; Class: MT1 .E 345 M 9 1974;
LC Card 74076260; Subjects: Music Instruction and study, Deaf-Music
education |
Gloeckler,
T. & Simpson, C., Exceptional Students in Regular Classrooms:
Challenges, Services, and Methods, Mayfield Publishing Co., Mountain
View, CA, 1988, ISBN: 0874847931; Bar Code: 30002054; Class: LC 4031
.G55 1988; Subjects: Inclusive schools, Handicapped childrenEducationMainstreaming
in educationUnited States |
Museum
of Fine Arts, Houston, Beyond the Limits ~ Music and Fine Arts
~ Creative Art Solutions for People With Special Needs, Museum of
Fine Arts, Houston, Texas, 1991
Class: LC 4025 .B4 1991; Bar Code: 30000141; 99 p., Kitvideo
tape (15 min.), accompanied by 20 slides and 6 pictures. Includes
bibliographical references (p. 93-95) |
Mosier,
D.B. & Park, R.B., Teacher Therapist: a Text-Handbook for
Teachers of Emotionally Impaired Children, Goodyear Publishing Co.
Inc., Santa Monica, CA, 1979; ISBN: 0876208898; Bar Code: 30002073;
Class: LC 4169 .M 67 1979, Subjects: Mentally handicapped children-EducationHandbooks,
manuals, Child psychopathologyTeacher participation in educational
counseling |
Smith,
T.E.C., Polloway, E.A., Patton, J.R. & Dowdy, C.A., Teaching
Students with Special Needs In Inclusive Settings, Allyn &
Bacon, Boston, 1995, ISBN: 0205146538 (pbk, acid free); Bar Code:
30002087; Class: LC 4031 .T43 1995; Subjects: Special education, Handicapped
childrenEducation, Classroom management, Inclusive schools |
Schleien,
S.J. Ray, M.T. & Green, F.P., Community Recreation and People
with Disabilities, Paul Brookes Publishing Co., Baltimore, 1997, ISBN:
1557662592; Bar Code: 30002135; Class: GV 183.5 .S35 1997, LC Card:
96007795; Subjects: HandicappedRecreationUnited States,
Handicapped Services forRecreation centersRecreational
surveys |
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Constructing
Youth Engagement:
A synthesis of literature, observation, and professional opinion
by
Harlan Brownlee, Director of Artistic Programming, Kanss City Young Audiences,
Inc.
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The
work of Kansas City Young Audiences (KCYA) is intended to improve upon
the practices of teaching artists and others that provide opportunities
for youth to experience and create art. Stimulated by research in Beyond
the Soundbite: Arts Education and Academic Outcomes (Winner, E. and Hetland,
L., 2000) and Champions of Change: The Impact of the Arts on Learning
(Fiske, T., 2001), KCYA created a study to focus on deepening our understanding
of youth engagement as it relates to the processes, techniques and products
associated with the arts and arts integration in the classroom.
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Why
is engagement an important construct? Because we theorize that being
engaged is an indication of active involvement in learning and we believe
that being deeply involved in ones own learning is a key factor
in learning well. We assume that the greater the level of engagement
the greater the potential there is for learning.
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We
framed this study as a first step toward validating a descriptive framework
or context for the study of the arts- rich classroom. KCYA staff believed
that to create a foundation for further work it was essential to answer
these key questions in the study: |
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What
is student engagement?
What are the observable indicators of student engagement?
What instructional practices of Teaching Artists appear to facilitate
student engagement?
How and why does the integration of the arts engage students in
a
learning experience?
What is happening in the arts experience that promotes a higher
level of
engagement from a student?
The study
had four phases of activity:
Review of literature regarding engagement to identify potential
definitions and features.
Videotaping of Teaching Artists in five different disciplines conducting
workshops in schools.
Interviews with Teaching Artists and a sample of students immediately
following the workshops.
Observation: professional panel review of videotaped lessons.
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Our
study also provided a catalyst for further inquiry and self-reflection from
the panel members which consisted of both classroom teachers and Teaching
Artists. By simply putting forward an open-ended question and asking the
participants to answer that question, a process of self-discovery unfolded
for each of the panel members. In this scenario, the question was driving
the learning. What other questions might we ask of Teaching Artists, and
could this format be adopted to include a wide range of subjects and issues
for Teaching Artists? For example, does engagement in music look different
than engagement in dance? What were the common threads of engagement that
cross the disciplines and can be described as universal? |
The
final product of our study is a definition with supporting evidence, exemplars,
and descriptions of what the instructional environment must look like for
engagement to emerge and be encouraged. The full report describing the results
of the study can be downloaded via the world wide web at: http://www.kcya.org/.
Please click on the research link in the left hand column. |
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Accessible Arts Studio Opens
The Board of Directors and staff of Accessible Arts proudly announce the
opening of our Accessible Arts Studio. Located in the historic carriage
house on the campus of the Kansas State School for the Blind, this newly-renovated,
accessible arts studio will serve children and artists of all abilities.
This universally designed space, a barrier-free and safe environment, will
function as a collaborative arts laboratory and studio space where students
experiment freely with appropriate equipment adaptations and professional
artistic assistance. It will be a valuable resource for children with disabilities
and their families and a |
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place where
students, professional artists, and educators can collaborate to create
new curricula and accessible arts programming.
Accessible Arts' Studio was made possible by generous donations from:
Ross & Marianna Beach, Rita & Irwin Blitt, H & R Block Foundation,
Faultless Starch, Hallmark Foundation, International Furnishings &
Design, Kansas Arts Commission, Kansas State School for the Blind, Muriel
McBrien Kauffman Foundation, Kemper Foundation, Metro Area Lions Clubs,
Lockton Insurance, Sisters of Lorretto, Mid-America Foundation, Ann Nichols,
Miller & Jeannette Nichols Foundation, Sosland Foundation and Utilicorp.
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Discovery
Trails 2003
Accessible Arts has been awarded funding from the National Park Services
Long Distance Trails Office and also its Lewis and Clark Office in support
of a 5000-mile journey this June by eighteen teens who are blind or visually
impaired. Coordinated by Accessible Arts with the Kansas State School
for the Blind, Discovery Trails 2003 continues a six-year tradition of
outdoor adventure that prepares teens to use the arts in teaching pioneer
history in classrooms and senior centers. This years Trails journey,
June 6-28th, 2003, coincides with the opening year of the Bicentennial
of the Lewis and Clark Expedition. The youthful pioneers, accompanied
by a Trail staff of educators and artists, will travel westward on the
Oregon Trail to the Pacific coast, and then follow the Corps of Discovery
along 2700 miles of the Expeditions 1806 route through Oregon, Washington,
northern Idaho, Montana and the Dakotas.
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In exchange for the adventure of camping and travellingby minivan,
horseback, canoe and on footalong the Lewis and Clark Trail, each
of the teens has contracted for a total of eight presentations in the two
years following the 2003 Trails trek. Accessible Arts staff and artists
will work with the teens in creating presentations in Missouri, Kansas,
Iowa, Nebraska, and Texas. |
In June-July 2004, the Trail teens and staff will participate in the Kansas
City area commemorations of the Lewis and Clark Bicentennial. Activities
at the Corps of Discovery campsite at Kaw Point will include the teens.
Teens and staff have also offered to interpret the excitement of their Lewis
and Clark trip for 4000 members of the National Association of the Deaf
at the Biennial Conference over the July 4th holiday in Olathe, Kansas.
A video documentary of Discovery Trails 2003 will be available from the
National Park Service or Accessible Arts. |
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Student
Artwork Winners!
In September of 2002 Kit Bardwell, Program Director for Accessible Arts,
visited Horizon Academy. Together with Sandra Smiths class she explored
the various symbols and designs that can be created when drafting a simple
map.
The students began by drawing
an outline of the library and marking its contents. Next the students
mapped pathways throughout the library and took turns following each others
maps. These maps could also request that the traveler maintain a specific
mode of locomotion such as skipping, crawling or sliding as they followed
the map.
Lastly, the students listened
to a variety of recorded music that they mapped with crayons, colored
pens and glitter. The resulting artwork was full of movement and color.

Age
11:
Likes to hang out, make things, sew and read.
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Age
10:
Says his favorite subject in school is art.

Age
8:
States that math is his favorite subject in school.
Later
in the year, Accessible Arts began to collect student artwork to frame
and use as awards for the Arts Educator of the Year and Distinguished
Service Awards. Because of their lyrical movement and bright colors,
the music maps of three Horizon students were selected to receive a
purchase prize of $25 each. The three students pictured here were the
awardees.
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Mark
Your Calendars
Sunday,
April 13th at 7:00 PM
Journey
to Middle Earth: the Lord of the Rings ~ Concert
& Arts Performance
Yardley
Hall, Johnson County Community College, OP, KS
Heart of America Wind Symphony and performers with and without disabilities
will be featured. Admission is $5 (students, seniors), $10 (adults). To
purchase tickets call (913) 469-4445.
Friday-Sunday,
April 25-27
99 Drums Music & Cultural Camp
Kansas State School for the Blind Campus, Kansas City, KS
Weekend of drumming and dancing workshops for children with and without
disabilities. Cost is $35 per child. Final performance at 3:30 PM, Sunday,
April 25th is free to the public. To register a child, volunteer or get
more information, please call (913) 281-1133.
Wednesday-Friday,
June 25-27
The Art
of Learning Collaborative Workshop
Hilton Garden Inn, Kansas City, KS
Professional
development workshops to give artists the tools to work in the schools and
schools the tools to work with artists. For information please call (913)
281-1133.
Wednesday-Friday,
July 16-18
The Art of Learning
Collaborative Workshop
Salina Holidome, Salina, KS
See information
above.
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Accessible
Arts Board of Directors
Kathleen White,
President
Vickie Tucker, Vice President
Walter Dietrich, Treasurer
Martin Zander, Secretary
Heidi Benham
Jen Johnson
J.J. Jones
Danny Meisinger
Dawn OBrien
Accessible Arts
Staff
Martin
English, Executive Director
Kit Bardwell, Program Director
Eleanor Craig, Executive Assistant
Beverly Johnson, Communications
Coordinator
(913) 281-1133
[Voice/TTY]
(913) 281-1515 [FAX]
accarts@accessiblearts.org
www.accessiblearts.org
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DONT
NEED THIS NEWSLETTER?
We
are happy to continue sending our newsletter to all persons who wish to receive
it. If you would like to remain in our database as a consultant, artist,
etc. but no longer wish to receive the newsletter, please let us know. Our new
database will allow us to make this distinction. However, if you no longer
want to remain in our data base, please help us by letting us know. We will
immediately remove your name from our list. If you have any changes or updates
for our mailing list, please notify us. You can e-mail us at accarts@accessiblearts.org
or drop us a note at Accessible Arts, Inc., 1100 State Ave., Kansas City, KS,
66102-4411 or feel free to call us at (913) 281-1133. We also welcome feedback
about our programming, the content of our newsletter, and our web site. Thank
you for your help in this matter.

1100 State Avenue,
Kansas City, KS 66102-4411
(913) 281-1133 [Voice & TTY] (913) 281-1515 [Fax]
eMail
Us:
accarts@accessiblearts.org
For large print
or Braille newsletter contact Accessible Arts
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